第182章 CHAPTER XXVI(7)

These three great luminaries of the literary world were of course attended by a host of satellites of various magnitudes, who did all in their power to refute the romantic principles by reductiones ad absurdum. Endowed for the most part with considerable facility of composition, the poetasters poured forth their feelings with torrential recklessness, demanding freedom for their inspiration, and cursing the age that fettered them with its prosaic cares, its cold reason, and its dry science. At the same time the dramatists and novelists created heroes of immaculate character and angelic purity, endowed with all the cardinal virtues in the superlative degree; and, as a contrast to these, terrible Satanic personages with savage passions, gleaming daggers, deadly poisons, and all manner of aimless melodramatic villainy. These stilted productions, interspersed with light satirical essays, historical sketches, literary criticism, and amusing anecdotes, formed the contents of the periodical literature, and completely satisfied the wants of the reading public. Almost no one at that time took any interest in public affairs or foreign politics. The acts of the Government which were watched most attentively were the promotions in the service and the conferring of decorations. The publication of a new tale by Zagoskin or Marlinski--two writers now well-nigh forgotten--seemed of much greater importance than any amount of legislation, and such events as the French Revolution of 1830 paled before the publication of a new poem by Pushkin.

The Transcendental philosophy, which in Germany went hand in hand with the Romantic literature, found likewise a faint reflection in Russia. A number of young professors and students in Moscow, who had become ardent admirers of German literature, passed from the works of Schiller, Goethe, and Hoffmann to the writing of Schelling and Hegel. Trained in the Romantic school, these young philosophers found at first a special charm in Schelling's mystical system, teeming with hazy poetical metaphors, and presenting a misty grandiose picture of the universe; but gradually they felt the want of some logical basis for their speculations, and Hegel became their favourite. Gallantly they struggled with the uncouth terminology and epigrammatic paradoxes of the great thinker, and strove to force their way through the intricate mazes of his logical formulae. With the ardour of neophytes they looked at every phenomenon--even the most trivial incident of common life--

from the philosophical point of view, talked day and night about principles, ideas, subjectivity, Weltauffassung, and similar abstract entities, and habitually attacked the "hydra of unphilosophy" by analysing the phenomena presented and relegating the ingredient elements to the recognised categories. In ordinary life they were men of quiet, grave, contemplative demeanour, but their faces could flush and their blood boil when they discussed the all-important question, whether it is possible to pass logically from Pure Being through Nonentity to the conception of Development and Definite Existence!

We know how in Western Europe Romanticism and Transcendentalism, in their various forms, sank into oblivion, and were replaced by a literature which had a closer connection with ordinary prosaic wants and plain everyday life. The educated public became weary of the Romantic writers, who were always "sighing like a furnace,"

delighting in solitude, cold eternity, and moonshine, deluging the world with their heart-gushings, and calling on the heavens and the earth to stand aghast at their Promethean agonising or their Wertherean despair. Healthy human nature revolted against the poetical enthusiasts who had lost the faculty of seeing things in their natural light, and who constantly indulged in that morbid self-analysis which is fatal to genuine feeling and vigorous action. And in this healthy reaction the philosophers fared no better than the poets, with whom, indeed, they had much in common.

Shutting their eyes to the visible world around them, they had busied themselves with burrowing in the mysterious depths of Absolute Being, grappling with the ego and the non-ego, constructing the great world, visible and invisible, out of their own puny internal self-consciousness, endeavouring to appropriate all departments of human thought, and imparting to every subject they touched the dryness and rigidity of an algebraical formula.

Gradually men with real human sympathies began to perceive that from all this philosophical turmoil little real advantage was to be derived. It became only too evident that the philosophers were perfectly reconciled with all the evil in the world, provided it did not contradict their theories; that they were men of the same type as the physician in Moliere's comedy, whose chief care was that his patients should die selon les ordonnances de la medicine.

In Russia the reaction first appeared in the aesthetic literature.

Its first influential representative was Gogol (b. 1808, d. 1852), who may be called, in a certain sense, the Russian Dickens. A