第44章

Such admirable brickwork I have never seen before or since. There was no sculpture here, but an abundance of bold projections and finely-worked mouldings. Traces of buildings exist for many miles in every direction, and almost every road and pathway shows a foundation of brickwork beneath it--the paved roads of the old city. In the house of the Waidono or district chief at Modjo-agong, I saw a beautiful figure carved in high relief out of a block of lava, and which had been found buried in the ground near the village. On my expressing a wish to obtain some such specimen, Mr. B. asked the chief for it, and much to my surprise he immediately gave it me. It represented the Hindu goddess Durga, called in Java, Lora Jonggrang (the exalted virgin). She has eight arms, and stands on the back of a kneeling bull. Her lower right hand holds the tail of the bull, while the corresponding left hand grasps the hair of a captive, Dewth Mahikusor, the personification of vice, who has attempted to slay her bull. He has a cord round his waist, and crouches at her feet in an attitude of supplication. The other hands of the goddess hold, on her right side, a double hook or small anchor, a broad straight sword, and a noose of thick cord; on her left, a girdle or armlet of large beads or shells, an unstrung bow, and a standard or war flag. This deity was a special favourite among the old Javanese, and her image is often found in the ruined temples which abound in the eastern part of the island.

The specimen I had obtained was a small one, about two feet high, weighing perhaps a hundredweight; and the next day we had it conveyed to Modjo-Kerto to await my return to Sourabaya. Having decided to stay some time at Wonosalem, on the lower slopes of the Arjuna Mountain, where I was informed I should find forest and plenty of game, I had first to obtain a recommendation from the Assistant Resident to the Regent, and then an order from the Regent to the Waidono; and when after a week's delay I arrived with my baggage and men at Modjo-agong, I found them all in the midst of a five days' feast, to celebrate the circumcision of the Waidono's younger brother and cousin, and had a small room in an on outhouse given me to stay in. The courtyard and the great open reception-shed were full of natives coming and going and making preparations for a feast which was to take place at midnight, to which I was invited, but preferred going to bed. A native band, or Gamelang, was playing almost all the evening, and I had a good opportunity of seeing the instruments and musicians. The former are chiefly gongs of various sizes, arranged in sets of from eight to twelve, on low wooden frames. Each set is played by one performer with one or two drumsticks. There are also some very large gongs, played singly or in pairs, and taking the place of our drums and kettledrums. Other instruments are formed by broad metallic bars, supported on strings stretched across frames; and others again of strips of bamboo similarly placed and producing the highest notes. Besides these there were a flute and a curious two-stringed violin, requiring in all twenty-four performers.

There was a conductor, who led off and regulated the time, and each performer took his part, coming in occasionally with a few bars so as to form a harmonious combination. The pieces played were long and complicated, and some of the players were mere boys, who took their parts with great precision. The general effect was very pleasing, but, owing to the similarity of most of the instruments, more like a gigantic musical box than one of our bands; and in order to enjoy it thoroughly it is necessary to watch the large number of performers who are engaged in it. The next morning, while I was waiting for the men and horses who were to take me and my baggage to my destination, the two lads, who were about fourteen years old, were brought out, clothed in a sarong from the waist downwards, and having the whole body covered with yellow powder, and profusely decked with white blossom in wreaths, necklaces, and armlets, looking at first sight very like savage brides. They were conducted by two priests to a bench placed in front of the house in the open air, and the ceremony of circumcision was then performed before the assembled crowd.

The road to Wonosalem led through a magnificent forest in the depths of which we passed a fine ruin of what appeared to have been a royal tomb or mausoleum. It is formed entirely of stone, and elaborately carved. Near the base is a course of boldly projecting blocks, sculptured in high relief, with a series of scenes which are probably incidents in the life of the defunct.

These are all beautifully executed, some of the figures of animals in particular, being easily recognisable and very accurate. The general design, as far as the ruined state of the upper part will permit of its being seen, is very good, effect being given by an immense number and variety of projecting or retreating courses of squared stones in place of mouldings. The size of this structure is about thirty feet square by twenty high, and as the traveller comes suddenly upon it on a small elevation by the roadside, overshadowed by gigantic trees, overrun with plants and creepers, and closely backed by the gloomy forest, he is struck by the solemnity and picturesque beauty of the scene, and is led to ponder on the strange law of progress, which looks so like retrogression, and which in so many distant parts of the world has exterminated or driven out a highly artistic and constructive race, to make room for one which, as far as we can judge, is very far its inferior.