第370章

There is stuff enough in our language, but there is a defect in cutting out: for there is nothing that might not be made out of our terms of hunting and war, which is a fruitful soil to borrow from; and forms of speaking, like herbs, improve and grow stronger by being transplanted.

I find it sufficiently abundant, but not sufficiently pliable and vigorous; it commonly quails under a powerful conception; if you would maintain the dignity of your style, you will often perceive it to flag and languish under you, and there Latin steps in to its relief, as Greek does to others. Of some of these words I have just picked out we do not so easily discern the energy, by reason that the frequent use of them has in some sort abased their beauty, and rendered it common; as in our ordinary language there are many excellent phrases and metaphors to be met with, of which the beauty is withered by age, and the colour is sullied by too common handling; but that nothing lessens the relish to an understanding man, nor does it derogate from the glory of those ancient authors who, 'tis likely, first brought those words into that lustre.

The sciences treat of things too refinedly, after an artificial, very different from the common and natural, way. My page makes love, and understands it; but read to him Leo Hebraeus --[Leo the Jew, Ficinus, Cardinal Bembo, and Mario Equicola all wrote Treatises on Love.]--and Ficinus, where they speak of love, its thoughts and actions, he understands it not. I do not find in Aristotle most of my ordinary motions; they are there covered and disguised in another robe for the use of the schools. Good speed them! were I of the trade, I would as much naturalise art as they artificialise nature. Let us let Bembo and Equicola alone.

When I write, I can very well spare both the company and the remembrance of books, lest they should interrupt my progress; and also, in truth, the best authors too much humble and discourage me: I am very much of the painter's mind, who, having represented cocks most wretchedly ill, charged all his boys not to suffer any natural cock to come into his shop; and had rather need to give myself a little lustre, of the invention of Antigenides the musician, who, when he was asked to sing or play, took care beforehand that the auditory should, either before or after, be satiated with some other ill musicians. But I can hardly be without Plutarch; he is so universal and so full, that upon all occasions, and what extravagant subject soever you take in hand, he will still be at your elbow, and hold out to you a liberal and not to be exhausted hand of riches and embellishments. It vexes me that he is so exposed to be the spoil of those who are conversant with him: I can scarce cast an eye upon him but I purloin either a leg or a wing.

And also for this design of mine 'tis convenient for me for me to write at home, in a wild country, where I have nobody to assist or relieve me; where I hardly see a man who understands the Latin of his Paternoster, and of French a little less. I might have made it better elsewhere, but then the work would have been less my own; and its principal end and perfection is to be exactly mine. I readily correct an accidental error, of which I am full, as I run carelessly on; but for my ordinary and constant imperfections, it were a kind of treason to put them out. When another tells me, or that I say to myself, "Thou art too thick of figures: this is a word of rough Gascon: that is a dangerous phrase (I do not reject any of those that are used in the common streets of France; they who would fight custom with grammar are triflers): this is an ignorant discourse: this is a paradoxical discourse: that is going too far: thou makest thyself too merry at times: men will think thou sayest a thing in good earnest which thou only speakest in jest."--"Yes, I know, but I correct the faults of inadvertence, not those of custom. Do I not talk at the same rate throughout? Do I not represent myself to the life?

'Tis enough that I have done what I designed; all the world knows me in my book, and my book in me."

Now I have an apish, imitative quality: when I used to write verses (and I never made any but Latin), they evidently discovered the poet I had last read, and some of my first essays have a little exotic taste: I speak something another kind of language at Paris than I do at Montaigne.

Whoever I steadfastly look upon easily leaves some impression of his upon me; whatever I consider I usurp, whether a foolish countenance, a disagreeable look, or a ridiculous way of speaking; and vices most of all, because they seize and stick to me, and will not leave hold without shaking. I swear more by imitation than by complexion: a murderous imitation, like that of the apes so terrible both in stature and strength, that Alexander met with in a certain country of the Indies, and which he would have had much ado any other way to have subdued; but they afforded him the means by that inclination of theirs to imitate whatever they saw done; for by that the hunters were taught to put on shoes in their sight, and to tie them fast with many knots, and to muffle up their heads in caps all composed of running nooses, and to seem to anoint their eyes with glue; so did those poor beasts employ their imitation to their own ruin they glued up their own eyes, haltered and bound themselves.