第191章 CHAPTER XLVI. THE OATH AT THE GRAVE OF FREDERICK T

The stage-curtain rose; the performance commenced. The audience followed it with the most ardent sympathy; every word referring to the liberty and independence of Germany, was hailed with thunders of applause, and jubilant shouts resounded at every allusion to foreign tyranny and despotism. The actors had now reached the last part of the piece, the merry, soul-stirring horseman's song concluding the whole. "WOHLAUF, KAMERADEN AUF'S PFER, AUF'S PFERD!" sang the chorus on the stage, and the audience followed every verse, every line, with breathless attention. All at once people looked in great surprise at each other, and then listened with the utmost suspense to the singers, who had added to the merry horseman's song a verse which had not been heard heretofore. And when the last words of this verse had died away, the whole audience shouted and roared, "DA

CAPO! DA CAPO!" In the pit, in the boxes, in the gallery, in short, every one rose to their feet, and all eyes again turned to the box in which the members of the French embassy were seated, and thus, standing, in a jubilant tone and with threatening glances, the whole audience joined the chorus of the actors on the stage; for they knew already the words of the additional verse by heart, and sang in a thundering voice:

"Wohlauf, Kameraden, zur Schlacht, zum Krieg, In's Feld, in die Freibeit gezogen.

Zur blutigeu Schlacht, zum rachenden Sieg Uber den, der uns Freundsehaft gelogen!

Und Tod und Verderhen dem falschen Mann, Der treulos den Frieden brechen kann!"

[Footnote: "On, comrades, to battle, to war--let us march into the field and flght for liberty! To bloody battle, to avenging victory over him who has lied friendship to us! And death and destruction to the false man who has perfidiously broken the peace!"

This whole scene is strictly in accordance with history; and the additional verse, if not literally the same, renders at least the sentiment of the lines which were sung on that memorable evening.--Vide "Memoires d'un Homme d'Etat," vol. viii., p. 496, and "Napoleon; a Memoir," by--, vol. ii., p. 73.]

And the audience repeated once more the last two lines "Und Tod und Verderben dem falschen Mann, Der treulos den Frieden brechen kann!"

All eyes then turned to the royal box. The king was still hidden behind the small curtain. The queen had risen. Folding her hands, as if praying, she had raised her eyes to heaven, and two tears ran slowly down her cheeks.

Prince Louis Ferdinand bent toward Minister von Hardenberg, who had just entered his box. "Do you see the queen?" he said, in a low voice. "Does she not look really like a genius praying for Prussia?"

"Ah, and, perhaps, weeping for Prussia!" whispered Hardenberg--"But let us not give way now to gloomy anticipations. I am the bearer of good and unexpected news. Listen to me. The king and the queen will rise in a few minutes in order to leave the box, and who knows whether the audience will be patient and calm enough to witness the whole ballet, which is just commencing? I see some of my agents already below in the pit, where they have made their appearance in order to circulate my news."

"I beseech your excellency, be here your own agent, and communicate the news to me."

Minister Hardenberg bent closer to the prince's ear. "I suppose you know that, thanks to the influence of the queen, I have induced the king to sign a tolerably warlike and threatening note to the Emperor of the French?"

"But will this note really be forwarded to Napoleon?"

"It has already been forwarded. But I had sent also a messenger to the Emperor of Russia with a copy of this note, and the emperor, it seems, has understood my mission, for--But, just look, my prophecy commences being fulfilled. The king and the queen rise and leave their box; and notice, too, the migration beginning in the pit, and among the occupants of the orchestra-stalls. The beautiful ballet- girls will soon dance before empty benches."

"But do not let me die with curiosity, your excellency. Tell me at length what has occurred."

"A surprise, prince. The Emperor Alexander will reach Berlin within an hour!"

"Are you not jesting? Do you speak in earnest?"

"In dead earnest, prince. The emperor comprehends that the favorable hour must be improved, and he comes in order to conquer the friendship of Frederick William, and to overcome his indecision, so that they may then vanquish the French invader with their united forces. The emperor is a very sagacious man, and being half a German, he knows doubtless the German proverb, 'Strike while the iron is hot.' Our noble queen, with both of us and our excellent people, will help the emperor to strike the iron. Look, the people commence striking already. They rush from the theatre in order to receive the Emperor Alexander at the gate, and to cheer him while he is riding to the palace. Let us follow the example of the people of Berlin. Let us go to receive the Emperor Alexander--if it please God, our ally--at the gate." [Footnote: The Emperor Alexander arrived in Berlin quite unexpectedly on October 23, 1805; the courier who had announced his arrival had reached the Prussian capital only a few hours previously.]

Hardenberg's predictions were to be fulfilled this time. Thanks to the powerful allies who were fighting for his policy and for Prussia, the king summoned up sufficient courage to take a decisive resolution. Those allies of Hardenberg and Prussia were now not only the queen, Prince Louis Ferdinand, and public opinion, but they were joined by the Emperor Alexander, who had arrived from Poland, and the Archduke Anthony, whom the Emperor of Austria had sent to Berlin at the same time for the purpose of winning the friendship of the king. But still another ally suddenly and unexpectedly entered the lists for Hardenberg's policy and for the coalition, and this ally was the good fortune and genius of Napoleon.