第41章 CHAPTER XIII(3)
- The Unbearable Bassington
- Saki
- 548字
- 2016-03-02 16:35:40
"I'm coming to your farewell dinner, you know; your mother has just asked me. I'm not going to talk the usual rot to you about how much you will like it and so on. I sometimes think that one of the advantages of Hell will be that no one will have the impertinence to point out to you that you're really better off than you would be anywhere else. What do you think of the play? Of course one can foresee the end; she will come to her husband with the announcement that their longed-for child is going to be born, and that will smooth over everything. So conveniently effective, to wind up a comedy with the commencement of someone else's tragedy. And every one will go away saying 'I'm glad it had a happy ending.'"
Lady Veula moved back to her seat, with her pleasant smile on her lips and the look of infinite weariness in her eyes.
The interval, the last interval, was drawing to a close and the house began to turn with fidgetty attention towards the stage for the unfolding of the final phase of the play. Francesca sat in Serena Golackly's box listening to Colonel Springfield's story of what happened to a pigeon-cote in his compound at Poona. Everyone who knew the Colonel had to listen to that story a good many times, but Lady Caroline had mitigated the boredom of the infliction, and in fact invested it with a certain sporting interest, by offering a prize to the person who heard it oftenest in the course of the Season, the competitors being under an honourable understanding not to lead up to the subject. Ada Spelvexit and a boy in the Foreign Office were at present at the top of the list with five recitals each to their score, but the former was suspected of doubtful adherence to the rules and spirit of the competition.
"And there, dear lady," concluded the Colonel, "were the eleven dead pigeons. What had become of the bandicoot no one ever knew."
Francesca thanked him for his story, and complacently inscribed the figure 4 on the margin of her theatre programme. Almost at the same moment she heard George St. Michael's voice pattering out a breathless piece of intelligence for the edification of Serena Golackly and anyone else who might care to listen. Francesca galvanised into sudden attention.
"Emmeline Chetrof to a fellow in the Indian Forest Department.
He's got nothing but his pay and they can't be married for four or five years; an absurdly long engagement, don't you think so? All very well to wait seven years for a wife in patriarchal times, when you probably had others to go on with, and you lived long enough to celebrate your own tercentenary, but under modern conditions it seems a foolish arrangement."
St. Michael spoke almost with a sense of grievance. A marriage project that tied up all the small pleasant nuptial gossip-items about bridesmaids and honeymoon and recalcitrant aunts and so forth, for an indefinite number of years seemed scarcely decent in his eyes, and there was little satisfaction or importance to be derived from early and special knowledge of an event which loomed as far distant as a Presidential Election or a change of Viceroy.