第19章 CHAPTER VII(1)

TOWARDS four o'clock on a hot afternoon Francesca stepped out from a shop entrance near the Piccadilly end of Bond Street and ran almost into the arms of Merla Blathlington. The afternoon seemed to get instantly hotter. Merla was one of those human flies that buzz; in crowded streets, at bazaars and in warm weather, she attained to the proportions of a human bluebottle. Lady Caroline Benaresq had openly predicted that a special fly-paper was being reserved for her accommodation in another world; others, however, held the opinion that she would be miraculously multiplied in a future state, and that four or more Merla Blathlingtons, according to deserts, would be in perpetual and unremitting attendance on each lost soul.

"Here we are," she cried, with a glad eager buzz, "popping in and out of shops like rabbits; not that rabbits do pop in and out of shops very extensively."

It was evidently one of her bluebottle days.

"Don't you love Bond Street?" she gabbled on. "There's something so unusual and distinctive about it; no other street anywhere else is quite like it. Don't you know those ikons and images and things scattered up and down Europe, that are supposed to have been painted or carved, as the case may be, by St. Luke or Zaccheus, or somebody of that sort; I always like to think that some notable person of those times designed Bond Street. St. Paul, perhaps. He travelled about a lot."

"Not in Middlesex, though," said Francesca.

"One can't be sure," persisted Merla; "when one wanders about as much as he did one gets mixed up and forgets where one HAS been. I can never remember whether I've been to the Tyrol twice and St.

Moritz once, or the other way about; I always have to ask my maid.

And there's something about the name Bond that suggests St. Paul; didn't he write a lot about the bond and the free?"

"I fancy he wrote in Hebrew or Greek," objected Francesca; "the word wouldn't have the least resemblance."

"So dreadfully non-committal to go about pamphleteering in those bizarre languages," complained Merla; "that's what makes all those people so elusive. As soon as you try to pin them down to a definite statement about anything you're told that some vitally important word has fifteen other meanings in the original. I wonder our Cabinet Ministers and politicians don't adopt a sort of dog-Latin or Esperanto jargon to deliver their speeches in; what a lot of subsequent explaining away would be saved. But to go back to Bond Street - not that we've left it - "

"I'm afraid I must leave it now," said Francesca, preparing to turn up Grafton Street; "Good-bye."

"Must you be going? Come and have tea somewhere. I know of a cosy little place where one can talk undisturbed."

Francesca repressed a shudder and pleaded an urgent engagement.

"I know where you're going," said Merla, with the resentful buzz of a bluebottle that finds itself thwarted by the cold unreasoning resistance of a windowpane. "You're going to play bridge at Serena Golackly's. She never asks me to her bridge parties."

Francesca shuddered openly this time; the prospect of having to play bridge anywhere in the near neighbourhood of Merla's voice was not one that could be contemplated with ordinary calmness.

"Good-bye," she said again firmly, and passed out of earshot; it was rather like leaving the machinery section of an exhibition.

Merla's diagnosis of her destination had been a correct one;Francesca made her way slowly through the hot streets in the direction of Serena Golackly's house on the far side of Berkeley Square. To the blessed certainty of finding a game of bridge, she hopefully added the possibility of hearing some fragments of news which might prove interesting and enlightening. And of enlightenment on a particular subject, in which she was acutely and personally interested, she stood in some need. Comus of late had been provokingly reticent as to his movements and doings; partly, perhaps, because it was his nature to be provoking, partly because the daily bickerings over money matters were gradually choking other forms of conversation. Francesca had seen him once or twice in the Park in the desirable company of Elaine de Frey, and from time to time she heard of the young people as having danced together at various houses; on the other hand, she had seen and heard quite as much evidence to connect the heiress's name with that of Courtenay Youghal. Beyond this meagre and conflicting and altogether tantalising information, her knowledge of the present position of affairs did not go. If either of the young men was seriously "making the running," it was probable that she would hear some sly hint or open comment about it from one of Serena's gossip- laden friends, without having to go out of her way to introduce the subject and unduly disclose her own state of ignorance. And a game of bridge, played for moderately high points, gave ample excuse for convenient lapses into reticence; if questions took an embarrassingly inquisitive turn, one could always find refuge in a defensive spade.

The afternoon was too warm to make bridge a generally popular diversion, and Serena's party was a comparatively small one. Only one table was incomplete when Francesca made her appearance on the scene; at it was seated Serena herself, confronted by Ada Spelvexit, whom everyone was wont to explain as "one of the Cheshire Spelvexits," as though any other variety would have been intolerable. Ada Spelvexit was one of those naturally stagnant souls who take infinite pleasure in what are called "movements."