第49章
- Tales and Fantasies
- Robert Louis Stevenson
- 1040字
- 2016-03-02 16:32:29
THE DESPATCHES.
When we read, in the rules of the order of the Jesuits, under the title De formula scribendi (Institut.2, 11, p.125, 129), the development of the 8th part of the constitutions, we are appalled by the number of letters, narratives, registers, and writings of all kinds, preserved in the archives of the society.
It is a police infinitely more exact and better informed than has ever been that of any state.Even the government of Venice found itself surpassed by the Jesuits: when it drove them out in 1606, it seized all their papers, and reproached them for their great and laborious curiosity.This police, this secret inquisition, carried to such a degree of perfection, may give some idea of the strength of a government, so well-informed so persevering in its projects, so powerful by its unity, and, as the constitutions have it, by the union of its members.
It is not hard to understand, what immense force must belong to the heads of this society, and how the general of the Jesuits could say to the Duke de Brissac: "From this room, your grace, I govern not only Paris, but China- not only China, but the whole world--and all without any one knowing how it is done:"
(Constitution of the Jesuits, edited by Paulin, Paris, 1843.)
Morok, the lion-tamer, seeing Dagobert deprived of his horse, and stripped of his money and papers, and thinking it was thus out of his power to continue his journey, had, previous to the arrival of the burgomaster, despatched Karl to Leipsic, as the bearer of a letter which he was to put immediately into the post.The address of this letter was as follows: "A Monsieur Rodin, Rue du Milieu des Ursins, Paris."
About the middle of this obscure and solitary street, situate below the level of the Quai Napoleon, which it joins not far from the Rue Saint Landry, there stood a house of unpretentious appearance, at the bottom of a dark and narrow court-yard, separated from the street by a low building in front, with arched doorway, and two windows protected by thick iron bars.Nothing could be more simple than the interior of this quiet dwelling, as was sufficiently shown by the furniture of a pretty large room on the ground floor.The walls of this apartment were lined with old gray wainscot; the tiled floor was painted red, and carefully polished; curtains of white calico shaded the windows.
A sphere of about four feet in diameter, raised on a pedestal of massive oak, stood at one end of the room, opposite to the fireplace.Upon this globe, which was painted on a large scale, a host of little red crosses appeared scattered over all parts of the world--from the North to the South, from the rising to the setting sun, from the most barbarous countries, from the most distant isles, to the centres of civilization, to France itself.There was not a single country which did not present some spots marked with these red crosses, evidently indicative of stations, or serving as points of reference.
Before a table of black wood, loaded with papers, and resting against the wall near the chimney, a chair stood empty.Further on, between the two windows, was a large walnut-wood desk, surmounted by shelves full of pasteboard boxes.
At the end of the month of October, 1831, about eight o'clock in the morning, a man sat writing at this desk.This was M.Rodin, the correspondent of Morok, the brute-tamer.
About fifty years of age, he wore an old, shabby, olive greatcoat, with a greasy collar, a snuff-powdered cotton handkerchief for a cravat, and waistcoat and trousers of threadbare black cloth.His feet, buried in loose varnished shoes, rested on a petty piece of green baize upon the red, polished floor.His gray hair lay flat on his temples, and encircled his bald forehead; his eyebrows were scarcely marked; his upper eyelid, flabby and overhanging, like the membrane which shades the eyes of reptiles, half concealed his small, sharp, black eye.His thin lips, absolutely colorless, were hardly distinguishable from the wan hue of his lean visage, with its pointed nose and chin; and this livid mask (deprived as it were of lips) appeared only the more singular, from its maintaining a death-like immobility.Had it not been for the rapid movement of his fingers, as, bending over the desk, he scratched along with his pen, M.Rodin might have been mistaken for a corpse.
By the aid of a cipher (or secret alphabet) placed before him he was copying certain passages from a long sheet full of writing, in a manner quite unintelligible to those who did not possess the key to the system.
Whilst the darkness of the day increased the gloom of the large, cold, naked-looking apartment, there was something awful in the chilling aspect of this man, tracing his mysterious characters in the midst of profound silence.
The clock struck eight.The dull sound of the knocker at the outer door was heard, then a bell tinkled twice, several doors opened and shut, and a new personage entered the chamber.On seeing him, M.Rodin rose from the desk, stuck his pen between his teeth, bowed with a deeply submissive air, and sat down again to his work without uttering a word The two formed a striking contrast to one another.The newcomer, though really older than he seemed, would have passed for thirty-six or thirty-
eight years of age at most.His figure was tall and shapely, and few could have encountered the brightness of his large gray eye, brilliant as polished steel.His nose, broad at the commencement, formed a well-cut square at its termination; his chin was prominent, and the bluish tints of his close-shaved beard were contrasted with the bright carnation of his lips, and the whiteness of his fine teeth.When he took off his hat to change it for a black velvet cap which he found on the small table, he displayed a quantity of light chestnut hair, not yet silvered by time.
He was dressed in a long frock-coat, buttoned up to the neck in military fashion.